ABSTRACT
Architecture criticism is characterized as a craft that utilizes specific tools for explanation and evaluation. Chapter 13 poses essential questions regarding the nature of contemporary architecture criticism. It examines the distinctive features of today’s architectural criticism and considers whether the advent of modern means of communication has altered the nature of architectural discourse. Additionally, the chapter explores the identity of today’s critics, questioning whether they are professionals, professors, architects, or individuals who simply appreciate or critique built works. While writings form the primary focus, the study also investigates the perspectives of designers and teachers when confronted with projects that require discerning between good and bad alternatives and decisions. To illustrate these considerations, the chapter presents a range of 20th-century and contemporary case studies, including the PSFS Building by Howe and Lescaze, Skirkanich Hall by Williams and Tsien, Lyric Theater by O’Donnell and Tuomey, Poli House by Pezo von Ellrichshausen, and the Academy of Art Guest House by Wang Shu.
