ABSTRACT
<bold>Abstract:</bold>
In the 1850s, the British “discovered” a community of transgender eunuch performers, the hijras, and legislated for their surveillance and control under the Criminal Tribes Act (CTA) in 1871. This article examines how the British dealt with transgender colonial subjects and the implications for our understanding of colonial masculinities. In particular, I analyse colonial attempts to erase hijras as a visible socio-cultural category and gender identity in public space through the prohibition of their performances and feminine dress. This case study demonstrates, first, how masculinity intersected with a broad range of colonial projects, agendas and anxieties. Focusing on the problematic presence of cross-dressing and performing hijras in public space, I examine how colonial attempts to order public space and reinforce political borders dovetailed with discourses of masculinity, obscenity and contagion. Second, I argue that attempts to discipline masculinity and obscenity were uneven in practice, meaning the CTA had varying localised impacts upon hijras. The lack of interest of some British officials in regulating hijras, inadequate policing resources, and pragmatic compromises opened up gaps in surveillance that hijras grasped and expanded, frustrating colonial attempts to transform their bodies and behaviours.
