ABSTRACT

This research explores a novel sense of objectivity for understanding perception and perceptual imagery, as a continuing endeavor after Grush (2000) on the topic of objectivity in the embodied cognitive science. The profile of building this sense of objectivity uses the embodied nature of deictic codes as source materials of consideration, as discussed in Ballard et al. (1997). They see deictic codes as (visual or haptic) frames set up on different points in the scene; an agent can continually fixate on various such points. A frame consists of several inter-related (visual or hand- motor) routines, thereby the points on which frames are set up can be regarded as viewpoints of perception and imagery.