ABSTRACT
Abelardo (Delgado), 299 Abercrombie, Lascelles, 227 abortion, 426, 657 Abrams, Meyer, 629 Abstract Expressionism, 24, 171, 214, 346,
Aiiieeeee! An Anthology of Asian American Writers, 32
Akins, Zoe, 458, 459, 461; In the Shadow of Parnassus (essays), 459
Akhtar, 35 Allen, Dick, 491 Allen, Donald. See New American Poetry
Knees, 497; Coyote's Day Trip, 497; Shadow Country, 497; Skin and Bones, 497; Wyrds, 497
Alurista, 298-99 Alvarez, Julia, 5-6, 542; "33," 6;
"Bookmaking," 6; How the Garcia Girls Lost Their Accents (novel), 6; In the Time of the Butterflies (novel), 6
(essay), 9; "City Limits," 597; "Corson's
analogy, 696 ancient art, 172, 207 Anderson, Doug: "Ambush," 748; Raids on
Homer, 751; "Two Boys," 750; as war poet, 751
Angel Hair (magazine), 509, 743 Angelou, Maya, 15-17; "Good Woman
Feeling Bad," 16; "Harlem Hopscotch," 16; Heart of a Woman, 15; I Know Why the Caged Bird Sings, 15; "Life Doesn't Frighten Me," 16; "Phenomenal Woman," 16; "Songs for the Old Ones," 16; "Times-Square-Shoeshine-Composi tion, " 16; "Woman Work," 16
Anglicanism, 44, 198, 200-03. See also Christianity; religion and poetry
, , ,3
, ,
,
,
rista, ,
c
tch," ,
, 8,
5 ;
Anthology of New York Poets, 508, 545 Antin, David, 20-22, 172, 206, 557, 785;
Olson's Maximus Poems, 534; use in Deep Image writing, 171, 172, 206
22; "Bases," 22; "Context," 22; "Creation," 23; "Crossing," 23; "Fiction," 22; "Generation," 22; "Incidence," 23; "Necromance," 22; "Pairs," 22; "Sit-Calm," 23
Authors and Publishers Ashbery, John, 20, 24-31, 212, 553, 650-51;
Asian-American poetry, 18, 32-35, 381, 601, 602,678-80
"Auden Group," 36 Auden Studies (journal), 38 Audubon, John James, 338, 754-55 Augustine, Saint, 205 -06, 209 Austin, Mary: Earth's Horizon, 613 avant-garde (genre), 169,212,213-15,349,
Baader, Johannes, 169 Bach, Johann Sebastian, 786 Baez, Joan, 179 Baldwin, James, 212; Tell Me How Long the
Train's Been Gone, 142 Ball, Hugo, 169, 706 ballad, 583 ballad meter, 224 Bangladeshi-American poetry, 32 Baraka, Imamu Amiri, 47-51, 53,82, 136,
Baugh, Edward, 128 Baum, L. Frank, 338 Beat Book (anthology), 743 Beat Hotel (Paris), 53 Beatitude (magazine), 345, 644 Beat poetry, 19-20, 51-54, 138, 140-41, 178,
55; "Bathers," 54; Forged Feature (essays), 55; "From the Bookless World" (memoir), 54; "Orphaning," 54
Brown's Body, 286; "Nightmare at Noon," 56; "Ode to Walt Whitman," 56
Benjamin, Walter, 36, 547 Bennett, Louise, 128 Benson, Steve: "Aesthetic Tendency and the
Politics of Poetry," 376 Bergson, Henri, 204, 321 Berkeley Renaissance. See San Francisco
Renaissance Berkson, Bill, 402, 507 Bernstein, Charles, 14,23, 57-60, 375-76,
402, 603; "Artifice of Absorption," 58; "eLecTrIc," 58; "Klupzy Girl," 58-59; "Like DeCLAraTionS in a HymlE CEMetArY," 58; "Outrigger," 57; Poetics, 375; Politics of Poetic Form, 375; "Semblance," 57; Sophist, 375
Bernstein, Richard J., 517 Berrigan, Ted, 60-61, 139, 401, 402, 438,
508,514-15,520,545; "Ea"er Monday," 60; "Peking," 60; "Red Shift," 60; Sonnets, 508, 509; "Soviet Souvenir," 60; "Tambourine Life," 60; "Things to Do in Providence," 60
Berry, James, 128 Berry, Wendell, 62-63, 598; "Against the War
in Vietnam," 62; "At a Country Funeral," 62; "Country of Marriage," 62; "Kentucky River Junction," 62; "My Great-Grandfather's Slaves," 62; "Peace of Wild Things," 62
Berryman, John, 63-68, 136, 138, 393, 451, 452, 519, 568; Berryman's Sonnets, 136; "Ceremony and Vision," 63; "Curse," 63; "Dream Song 159," 63; Dream Songs, 66-67, 393,406; "Eleven Addresses to the Lord," 65; "Formal Elegy," 65; "Have a Genuine American Horror-So-Mist on the Rocks," 65; Homage to Mistress Bradstreet, 67-68; "Imaginary Jew" (short story), 65; "Meditation," 63; "Message," 63; "Nervous Songs," 64; "Notes on E.A. Robinson," 63; "One Answer to a Question" (essay), 65, 67; and Pound's Pisan Cantos, 578; Recovery (novel), 65, 136; 77 Dream Songs, 136; "To a Woman," 65
Berssenbrugge, Mei-Mei, 32-33, 647 Bevington, Stan, 124, 125 Bible, 7, 134,201-02,204,207, 336-37,498,
566-67 Bidart, Frank, 69-70; "Ellen West," 69;
"Golden State," 69; "Herbert White," 69; "Second Hour of the Night," 69; "War of Vaslav Nijinsky," 69
Big Aiiieeeee! (anthology), 32 Big Sky (magazine), 402 Big Table (periodical), 53, 85, 401 Big Table Publishing Company, 85 bilingualism. See multilingualism Bim, 101, 128 Birney, Earle, 124 Birthwrite: Growing Up Hispanic
(documentary),618 Bishop, Elizabeth, 18, 70-78, 185, 252, 342,
477, 503, 508, 561; "Apartment in
Leme," 71; "Armadillo," 72-74; "Arrival at Santos," 73; "At the Fishhouses," 70; and Bidart, 69; "Brazil, January 1, 1502," 72; Ciardi compared to, 131; "Cirque dHiver," 72; "Cold Spring," 70; "Crusoe in England," 73, 74-75, 76; "Electrical Storm," 73; "Exchanging Hats," 71; "First Death in Nova Scotia," 74; "Five Flights Up," 71; "Florida," 70; "Going to the Bakery," 72; "Gwendolyn," 71; "Insomnia," 71; "In the Village," 71; "In the Waiting Room," 72, 74, 75-77; "It Is Marvellous," 71; Lowell inspired by, 417; "Man-moth," 327; "Manners," 74; "Manuelzinho," 73; "Moose," 70, 76, 77; Moss' essay on, 485; Oliver influenced by, 526; "One Art," 74,76,77-78; "Poem," 77; "Prodigal," 70; "Riverman," 73; "Sandpiper," 70; "Song for a Rainy Season," 73; Strand influenced by, 703; and Swenson, 710; "Under My Window," 72; "Vaguely Love Poem," 71
Bishop, Morris: "Tonversation with Baby," 392
Black Aesthetic (anthology), 80 Black Arts Festival (Cincinnati, Ohio), 249 Black Arts movement, 78-80, 250, 639; and
Baraka, 47, 48; and Clifton, 134; and Cortez, 142; and Johnson (James Weldon), 334; and Lorde, 408; and performance poetry in, 557; and Walker in, 747
Black Arts Repertory Theatre/School (BART/ S), 48, 78, 79
Blackburn, Paul, 80-82, 84, 349; "Birds," 81; "Clickety-Clack," 81; "Purse-Seine," 81; "Shop Talk," 84; "Yawn," 81
Black Cat (club), 644 Black Dialogue, 79 black English, 340 Black Expressions (anthology), 79 Black Fire (anthology), 48, 80 Black Mountain College, 82, 124, 151, 528,
534 Black Mountain Review, 82, 151, 188,401,
528 Black Mountain School (movement), 82-85,
151,171,226,349,383,384,398,403, 605; Antin influenced by, 20; Berrigan and, 60; Blackburn and, 81; Creeley and, 153; Dickey and, 175; Duncan and, 191, 192, 193; and Objectivism, 519; Olson and, 528-29; Wieners and, 757, 758. See also Olson, Charles
Blackmur, R.P., 85-87, 451, 452; Double Agent, 86; "Good European," 86; Primer of Ignorance (published lectures), 85; "Second World," 87
black nationalist movement, 18, 340, 341 black poetry. See African-American poetry Black Scholar (journal), 78 Black Sparrow Press, 117, 400, 519, 605 Black Sun Press, 212, 402 Black Woman (anthology), 80 Black World. See Negro Digest/Black World Blake, William, 27, 329, 338, 552; Beat poetry
influenced by, 52; Duncan influenced by,
189; Ginsberg influenced by, 242; Marriage of Heaven and Hell, 148; Oliver influenced by, 526; San Francisco Renaissance influenced by, 645; Sobin influenced by, 677; Songs of Experience, 327
Blanchot, Maurice, 547 Blaser, Robin, 88-89, 125, 189, 682, 683;
"Fire" (essays), 88; "Poetry and Positivisms" (essays), 88; "Practice of Outside" (essay), 88; "Recovery of the Public World" (essays), 88; and San Francisco Renaissance, 188, 644; "Violets" (essays), 88; "Western Mind," 88
BLAST (journal), 571 Blau, Herbert, 644, 646 blewointmentpress (press), 125 Bloom, Harold, 7, 24, 27, 28, 703 Bloomgarden, Solomon. See Yehoash blues (music): in Beat poetry, 52; and Brown's
"Ma Rainey," 114-15; in Harper's poetry, 274,275; in Hughes' work, 316; in Kerouac's Mexico City Blues, 354; in Reed's poetry, 594; in Sanchez's work, 639; in Taggart's work, 717
Bly, Robert, 89-95, 172-73, 176, 608, 778-79; American Poetry: Wildness to Domesticity, 173; "Counting Small-Boned Bodies," 90, 91-93; "Driving Toward the Lac Qui Parle River," 89, 93-94; "Hollow Tree," 90; "I Came Out of the Mother Naked," 94; Iron John (prose book), 90; Light around the Body, 173; "Prose Poem as an Evolving Form" (essay), 91; "Reading Silence in the Snowy Fields," 91; "Recognizing the Image as a Form of Intelligence," 93; Silence in the Snowy Fields, 173; "Snowfall in the Afternoon," 173; and Surrealism, 708; "Teeth Mother Naked at Last," 90, 92, 94-95, 749; "Wrong Turning in American Poetry" (essay), 172
Boehme, Jakob, 189 Bogan, Louise, 36, 95-99, 259, 596, 661;
"Betrothed," 95; "Medusa," 96-98; "Pleasures of Formal Poetry," 95; "Tale," 97; "Women," 98-99; "Young Wife," 95
Boland, Evan, 609 Boldereff, Frances, 532 Bollingen Prize, 580 Bonnefoy, Yves, 357 Bontemps, Arna, 99-100; "Black Man Talks
of Reaping," 99; "Golgatha Is a Mountain," 99; "Nocturne at Bethesda," 99; "Reconnaissance," 99; "Return," 99
Booklist, 15 Book of American Negro Poetry, 335 Book of Canadian Poetry, 123 Borges, Jorge, 172 Bottoms, David, 177 Bowering, George, 124-25 Bowes, Ed, 438 Bowles, Paul, 708, 709 Boyle, Kay, 212
Anarchy," 644-45 Brainard, joe, 438, 509; and Berrigan, 60; I
Remember, 509; and Padgett, 545 Braithwaite, William Stanley, 272, 461 Brand, Dione: Chronicles of a Hostile Sun,
129 Brathwaite, Kamau, 100-02, 126-28;
"Shadow Suite," 101; "Timehri," 100 Bread Loaf School, 131 Bremser, Bonnie: Troia, 7 Bremser, Ray, 52 Breslin, james E.S., 173 Breton, Andre, 169, 170, 257, 706-07, 708 Broadside Press, 79, 249 Brodsky, joseph, 44, 102-04; "Great Elegy to
john Donne," 103; "Odysseus to Telemachus," 103
Brooks, Cleanth, 19, 229-30,235, 329,417, 500-02; Modern Poetry and the Tradition, 501-02; Well Wrought Urn, 502
of Wild Bill," 113; "Long Gone," 115; "Ma Rainey," 113, 114-15; "Mill Mountain," 116; "Old Lem," 113; "Sister Lou," 113; "Slim Lands a Job?" 115; Southern Road, 113, 115-16; "Sporting
Brown, Wayne, 128 Browning, Elizabeth Barrett, 415-16, 623 Browning, Robert, 7, 37, 228,404,415, 570;
"Pictor Ignotus," 622; "Sordello," 571 Brueghel, jan (painter), 42, 43 Bryher, 480 Bucknell, Katherine, 38 Buddhism, 206, 531, 599, 602-03; Cage and,
Bullins, Ed, 79, 646 Bulosan, Carlos: America Is in the Heart, 34 Bunting, Basil, 364, 510, 517, 518, 536, 537,
Bunyon, john: Pilgrim's Progress, 590 Burgos, julia de, 299 Burke, Kenneth, 625, 729 Burmese-American poetry, 32 Burning Deck (magazine), 403, 745 Burning Deck Press, 400, 403, 745 Burns, Robert, 623 Burroughs, William S., 52, 212; Berrigan
118; "Defeat," 119; "Driftwood," 118; "Horses," 119; "Lightening," 119; "Wall," 119
"C" (magazine), 401, 509 Cabaret Voltaire, 169, 706 Cabico, Regie, 557; "Check One," 557;
Berrigan influenced by, 60; Forever and Sunsmell (musical composition), 121; 4']]" for Piano, 121, 122; justice inspired by, 342; and Mac Low, 432; Nowth upon Nacht (musical composition), 121; Three Songs (musical composition), 121
294-95; and Walcott, 737-43 Caribbean Voices (radio program), 128 Carlyle, Thomas, 189 Carman, Bliss, 123, 401 Carrington, Leonora, 708 Carroll, Lewis, 133, 718, 723 Carroll, Paul, 82, 85; Poem in Its Skin (essays),
85 Carruth, Hayden, 129-31, 605; "Asylum,"
129-30; "Paragraphs," 130 Carter, Martin: Poems of Resistance, 128 Cash, W.j.: Mind of the South, 236 Cassady, Carolyn: Off the Road,S3 Cassady, Neal, 242, 244 Castaneda, Carlos: Teachings of Don Juan,
176 Caterpillar, 207 Cather, Willa, 118,458 Catholicism, 208, 209, 356, 696. See also
707 Chan, jeffrey Paul, 32 Chang, Diana, 33 Chap-Book (journal), 401, 402, 712 Chaplin, Charlie, 217 Chappell, Fred: Midquest, 492 Char, Rene, 677, 713 Chaucer, Geoffrey, 227-28; Canterbury Tales
Chinese poetry, 119, 323,413, 573-74, 602, 673
Ch'oe, Yun-hong, 34 Christianity, 213, 215, 235, 500-03, 598-99;
Church, Henry, 699 Ciardi, john, 131-33, 393; "Elegy just in
Clifford, Wayne, 124, 125 Clifton, Lucille, 134-36, 598; "Dry Bones,"
Planters," 127 colonization, 267, 741, 742; and Caribbean
Compass, 644 Conarroe, joe, 19 concrete poetry, 323, 338, 393-94 Confessional poetry, 65, 136-38, 185, 349,
"Album-A Runthru," 139; "How I Open," 139; "Mozart on a Sunday," 139; "Names of the Lessons," 139; "Weathers," 139
144 Copeland and Day (publisher), 402 Corbiere, Tristan, 712 Corman, Cid, 81, 82, 151, 188,401, 519,
Counter/Measures (jounal), 351 Cournos, john, 322 Cowley, Malcom, 706 Cox, Kenneth, 513 Cox, Sidney, 104 "C" Press, 60 Crane, Hart, 54, 55, 144-49, 388, 389, 502,
597, 712, 720, 726; "At Melville's Tomb," 145-46; "Ave Maria," 146; "Black Tambourine," 144; Bridge, 146-48,239-40, 361; "Bridge," 144-45; "Cape Hatteras," 147; "Chaplinesque," 144; "C 33," 144; "Cutty Sark," 147;
Crane, Stephen, 64, 225, 329, 748; "War Is Kind," 748
Craven, Arthur, 425 Creeley, Robert, 19, 81, 82, 83, 124, 124-25,
Cummings, E.E., 7, 34, 84, 121, 144, 161-67, 211,212,214,370,393,431,518,556, 639; "anyone lived in a pretty how town," 163-64, 166, 393; "balloonMan," 161; "Buffalo Bill's / defunct," 161; Enormous Room (memoir), 162, 164; "Epithalamion," 161; "in just spring," 393; "i sing of Olaf glad and big," 162, 164-66; "jimmy's got a goil," 161, 162;
Cummings, E.E., continued "my father moved through dooms of love," 166-67; "my sweet old etcetera," 161; "New Poems," 162; "next to of course god america i," 161; "(of Ever-Ever Land i speak," 162; "Poem, or Beauty Hurts Mr. Vinal," 161; "r-p-o-p-h-e-s-s-a-g-e-r," 162; "she being Brand," 161; "Sonnets-Realities," 161; "when serpents bargain for the right to squirm," 162
Cummington Press, 402 Cunningham, j.V., 167-68,247,503, 644;
"All Choice is Error," 168; "Choice," 167-68; "Consolatio Nova," 168; "Dogdays," 167; "For My Contemporaries," 167; "Haecceity," 168; "Lector Are Perennoir," 167; "Love's Progress," 167; "Metaphyisical Amorist," 168; "Montana Fifty Years Ago," 168; "Motto for a Sundial," 168; "Passion," 168; "Phoenix," 168; "Quest of the Opal" (essay), 167, 168; "Several Kinds of Short Poem" (essay), 168; "Symposium," 167; "This Tower of Sun," 167
Curie, Marie, 223
Dacey, Philip, 504 Dada, 169-70,425,434,556,630-31,
706-08; and Cage, 121 Dahlberg, Edward, 528 Daliel's (bookstore), 644 Damon, Maria, 345 Daniel, Arnaut, 570 Dant~201-02,204,207,404,498;
Berssenbrugge influenced by, 32; Divine Comedy, 131,205,682; Duncan influenced by, 189, 190; Inferno, 131, 742; Pound influenced by, 570; Wright (Charles) influenced by, 777
Darger, Henry, 25 Davenport, Guy, 338 Davey, Frank, 124-25 David, Jacques-Louis, 30 David C. DeForest Prize, 579 David Nutt and Company, 227 Davidson, David, 721 Davidson, Donald, 234, 235, 500-02, 589,
752; "Mirror for Artists" (essay), 235; "Tall Men," 236
Davie, Donald, 181, 503 Davis, Miles, 84 Dawson, David, 125 deconstructionism, 18, 398. See also literary
theory and poetry Deep Image poetry, 171-73,206-07,349,
491, 630; of Bly, 92, 93; of Schwerner, 654
de Kooning, Willem, 366, 506, 507 Delattre, Pierre, 345 Dell, Floyd, 460, 715 Delta (literary magazine), 124 DeMars, James, 618 Dembo, L.S., 519 Demuth, Charles: "I Saw the Figure Five in
Gold" (painting), 765
Derrida, Jacques, 398; "Structure, Sign, and Play in the Discourse of the Human Sciences," 397
Desnos, Robert, 170 Dewdney, Christopher, 125 Dial (magazine), 400, 401, 476 Dial Award, 581 dialect, 335, 337, 556 Dickey, James, 130,173-78,225,326,484,
620, 670; "Between Two Prisoners," 177; "Breath," 174; "Bums, On Waking," 174; "Cherrylog Road," 174, 177; "Coming Back to America," 175; Deliverance (novel), 174; "Drinking from a Helmet," 174; Drowning with Others, 176-77; "Drowning with Others," 177; "Facing Africa," 177; "Falling," 175, 177-78; "Firebombing," 174-75, 177; "For the Nightly Ascent of the Hunter Orion over a Forest Clearing, 176; "Goodbye to Serpents," 174; "Hunting Civil War Relics at Nimblewell Creek," 177; "Ice Skin," 174; "In the Child's Night," 174; "In the Mountain Tent," 176, 177; "Lifeguard," 174, 176; "Owl King," 177; "Shark's Parlor," 174; "Snow on a Southern State," 177; "Summons," 176; "To Landrum Guy," 177; "Winter Trout," 174
Dickinson, Emily, 18, 123, 144, 147,251, 415-1~59~598,715,72~Ashbery influenced by, 26; Berssenbrugge influenced by, 32; Frost influenced by, 228; Graham influenced by, 252, 253; Kumin influenced by, 370; Oliver influenced by, 526; Reese influenced by, 596; in Rich's poems, 608, 613; Teasdale's view of, 726
dictated poetry, 682-83 Dictee (anthology), 266, 267 Different Beat (anthology), 53 Dillard, Annie, 597 DiPalma, Ray, 376 di Prima, Diane, 52, 53, 178-80,401; "April
Fool Birthday Poem for Grandpa," 179; Memoirs ofa Beatnik (novel), 53, 179; "Practice of Magical Evolution," 179; "Rant," 178
dissident writers, 18 Divers Press, 83, 151 Dobyns, Stephen, 491, 492 documentary poetry, 634-35 Dodge, Mabel, 691 Dogen, 672 Donne, John, 37,204, 526; "Valediction
Forbidding Mourning," 614 Doolittle, Hilda. See H.D. Doren, Mark Van, 241 Dorn, Edward, 82, 84, 124, 180-83, 528;
"Argument Is," 181; "Country Song," 181; "Cycle," 183; Geography, 84; Gunslinger (Slinger), 182-83, 655; "Idle Visitation," 181; "Land Below," 181; "Like a Messenger on Sunday," 181; "On the Debt My Mother Owed to Sears Roebuck," 181; Rites of Passage (By the Sound), 181; "Vaquero," 181; What I See in the Maximus Poems, 84
Dos Passos, John, 715 Dostoyevsky, Fyodor, 204 Doty, Mark: "Days of 1981," 240 double dactyl, 393 Doubleday Page Publishers, 494 Douglas, Aaron, 335, 336 Douglass, Frederick: Narrative of the Life of
Frederick Douglass, 272 Dove, Rita, 184-88; "Agosta the Winged Man
and Rasha the Black Dove," 184; "Bird Frau," 184; "Cameos," 185; "Corduroy Road," 185; "Geometry," 184, 185, 186; "Grief: The Council," 184; "Heroes," 184; "Horse and Tree," 184; "In the Old Neighborhood," 186; "Lady Freedom Among Us," 184; "Lamentations," 184; "Mississippi," 184; "0," 186-87; "Ozone," 184; "Parsley," 184; "Revenant," 185; "Robert Schumann, Or: Musical Genius Begins with Affliction," 184; "Sailor in Africa," 184; "Summit Beach, 1921," 184; Thomas and Beulah, 187 -88; "Transport of Slaves from Maryland to Mississippi," 184; "Venus of Willendorf," 185
Drake, William, 726 Drama Review, 79 dramatic poetry, 490 Dreier, Katerine, 707 Dreiser, Theodore, 329 Drucker, Johanna, 713 Drumvoices, The Mission of Afro-American
Poetry (anthology), 80 DuBois, W.E.B.: Brown (Sterling) influenced by,
113; Johnson's (Georgia Douglas) view of, 334; on Lindsay's "Congo," 396; on McKay, 443; on Vechten's Nigger Heaven, 271
Duchamp, Marcel, 60, 121, 169-70,425, 706, 708; "Apolinere Enameled," 170; "Etant Donnes ... ," 170; "Fountain," 765; "In Advance of a Broken Art," 170; "Large Glass," 170; "R. Mutt," 170
Dudeck, Louise, 124 Dugan, Alan, 136 Dunbar, Paul Laurence, 15, 272, 335, 556 Duncan, Harry, 402 Duncan, Isadora, 144, 147
Duncan,Rober~52,82,84, 88, 124-25,155, 188-93,208,217,241,401,429,528, 533,571,597,603,682,713,757,784; "Achilles' Song," 190; "Apprehensions," 189; "Circulations of the Song," 190; "Close," 189; "Continent," 189; "Dance," 189; "Dante Etudes," 190; and di Prima, 179; "Doves," 191; "Essay at War," 188; "Eye of God, Passages 29," 189; "For a Muse Meant," 189; "Homosexuality in Society" (article), 188; "In Blood's Domaine," 190; Johnson (Ronald) influenced by, 338, 339; Letters, 84; and Levertov, 387; "Maiden," 189; "Man's Fulfillment in Order and Strife" (essay), 189; "Mother of mouthings," 191; "My Mother Would Be a Fa1conress," 189, 530; "Often I Am
Permitted to Return to a Meadow," 189, 193; Opening of the Field, 84; "Passage Poems," 188, 189; "Passages," 406; "Poem Beginning with a Line by Pindar," 189, 192-93; "Poetry, a Natural Thing," 189; and San Francisco Renaissance, 644, 645, 646; "Sequence of Poems for H.D.'s 73rd Birthday," 189, 191; Sobin influenced by, 677; "Soldiers, Passages 26," 189; "Structure of Rime," 188, 189; "Towards an Open Universe," 645; "Tribal Memories," 189; Truth of Life and Myth (essay), 189; "Up Rising, Passages 25," 189; "Venice Poem," 188; Waldman influenced by, 743
Duse, Eleanor, 724
Earle, Ferdinand, 461 Eastman, Max, 443, 715 East River Players, 79 Eberhart, Richard, 195-97, 749, 750; "Fury of
Aerial Bombardment," 196, 749 Ecclesiastes: in Eliot's work, 204 Eckhardt, Meister, 121 Eckstein, Billy, 594 Editions Narcisse. See Black Sun Press Edwards, Jonathan, 419-20; Narrative of the
Surprising Conversions, 419-20 Egoist (journal), 212, 571 Egoist Press, 212 Ehrlich, Leonard, 605 Eidelon Editions, 179 Eight American Poets (anthology), 19 Eigner, Larry, 82, 84; readiness enough
ekphrastic poetry, 304 Electronic Poetry Center, 152 elegy, 9; Auden's "In Memory of W.B. Yeats,"
37,40-41; by Berryman, 66; by Brodsky, 103; by Cortez, 142; by Duncan, 191; by Harper, 275; by Levine, 389, 390; by O'Hara, 522
Eliot, George, 133 Eliot, T.S., 18, 19-20, 36, 42, 67-68, 123,
197-206,226,268,401,413,473,474, 500-01,504,518,574,581,587,635; and Aiken, 1; Ash-Wednesday, 198, 200-02, 598, 599; Blackmur compared to, 86; Brathwaite influenced by, 101; "Burnt Norton," 202; Cocktail Party (play), 198-99; Confidential Clerk (play), 199; Crane influenced by, 144; "Dry Salvages," 202, 599; "East Coker," 202; Elder Statesman (play), 199; Family Reunion (play), 199; "Fire Sermon," 205; Forche influenced by, 220; For Lancelot Andrews (essays), 500; Four Quartets, 198-99,202,401,598,599;and&ee verse, 503; Frost compared to, 228; "Gerontion," 203-04; and Gluck, 251; Guest influenced by, 257; "Hamlet" (essay), 501; "Hollow Men," 197, 212; and Imagism, 321; "Influence of Landscape upon the Poet," 197; Jarrell compared to, 326; Jeffers compared to,
329; Kees influenced by, 346-47; Levertov influenced by, 383; "Little Gidding," 202, 598; "Love Song of J. Alfred Prufrock," 1, 161, 197-98,204-05,211,214, 721; and Lowell, 136; Machado compared to, 172; Mackey compared to, 430; "Marina," 604, 649; and Merrill, 711; "Metaphysical Poets" (essay), 19, 205; and Midwestern Poetry Renaissance, 460; and Moore, 477, 478; Murder in the Cathedral (play), 199, 202; "Music of Poetry," 226; Nemerov influenced by, 498; Piercy influenced by, 559; "Portrait of a Lady," 198; and Pound, 570-71, 578, 580; "Preludes," 198, 307; Reese's opinion of, 596; Rexroth influenced by, 602; "Rhapsody on a Windy Night," 198; and Roethke, 629; Sacred Wood (essays), 199; Shapiro's view of, 661; Snyder influenced by, 675; and supernatural naturalism, 598; and Symbolism, 211-12, 214, 712; Taggart influenced by, 716; Tate compared to, 236; Van Duyn's response to, 734; and Warren, 237, 752; Waste Land, 28, 145, 146,147,169,197,198,201,203, 205-06,212,226,329,404,490-91, 502,528,532,581,598,681,703,721, 752; "Waste Land," 18, 19,401, 599, 675; and Zukofsky, 783
Elizabeth Press, 105 Elkin, Stanley, 498 Ellerman, Winifred, 480 Ellis, James, 230 Elmslie, Kenward, 508 Eluard, Paul, 706 Emerson, Ralph Waldo, 7, 104, 123, 228, 338,
525, 526, 579, 597, 599, 609; "Circles," 597; "Monadnoc," 228
Empson, William: Seven Types of Ambiguity, 616
Enslin, Theodore, 83 environmental and ecological issues, 11, 330,
625,626 environmental poets, 578 epic poetry, 490; of Ashbery, 27; Benet's John
Brown's Body, 56; of Pound, 571; of Roethke, 626; of Rukeyser, 634, 635; of Tolson, 726; of Walcott, 742. See also mock epic
epigram, 167-68 Ernst, Max, 207, 706, 707 Eshleman, Clayton, 3, 172, 206-08, 402;
"Bear Field," 207; "Book of Yorunomado," 207; Complete Posthumous Poems of Cesar Vallejo, 207; "Creek," 207; "Notes on Exile in Paradise," 207; "Visions of the Father of Lascaux," 207
Espada, Martin, 557 Espey, John: Ezra Pound's Mauberley, 576 Estep, Maggie, 556 ethnopoetics, 171, 349, 557, 630-31 Evergreen Review, 401 Everson, William, 52,208-10,329,644, 645;
"Canticle to the Waterbirds," 209; "Chronicle of Division," 209; "Kingfisher
Flat," 209; "Screed of the Flesh," 209; "These Are the Ravens," 208
Exeter Book (Old English book), 455 Exile (magazine), 517, 765 expansive poetry, 491 Expansive Poetry (anthology), 491 expatriate poetry, 211-13, 688 experimental poetry, 3, 25, 213-15, 600. See
also avant-garde (genre) Experimental Review, 401
Faber (publisher), 38 Fabilli, Mary, 646 Fabio, Sarah Webster, 726 fable, 205 Falk, Marcia, 598 Falls, C.B., 336 "Fantastic Art, Dada, and Surrealism" (art
exhibit), 707 Fascism: and Oppen, 536; Surrealists and, 707 Fast, Robin Riley, 497 Faulkner, William, 173,502,706, 719; Sound
and Fury, 18; Unvanquished, 236 Fauset, Arthur Huff, 272 Fauset, Jessie Redmon, 273, 274; "Noblesse
Oblige," 274 Fearing, Kenneth, 19, 330, 519 Federal Street Theater (Boston), 579 Federal Writers Project, 644, 746 Feirstein, Frederick, 491 feminism, 18, 288, 333-34, 399; and Bogan,
96-97; in Chinese-American poetry, 33; in Dickey's "Falling," 177; in Dove's work, 184; in expatriate poetry, 212; and Fraser's work, 222; in gay and lesbian poetry, 239-40; in Hacker's writing, 263; and Jordan, 340; in Kizer's work, 362; in Lorde's work, 408; and Loy, 424-25, 426; and Millay, 463-64; and New Critics, 502; and Plath, 566, 568; and performance poetry, 557; in Rich's work, 608-09,611-12; in Rukeyser's poetry, 633; in Sexton's poetry, 656-57; in Taggard's work, 715; in Waldman's work, 743. See also gender; patriarchy; women
Fenollosa, Ernest, 571 Ferguson, David: "Norman Morrison," 749 Ferlinghetti, Lawrence, 52, 53, 141, 171, 212,
217-19,403; "City as Symbol in Modern Poetry" (dissertation), 217; as Ginsberg's publisher, 242, 244, 245, 645-46; "I Am Waiting," 218; "Little Man," 217,218; "One Thousand Fearful Words for Fidel Castro," 646; Pictures of the Gone World, 646
Fernandez, Ramon, 698 Fernstein, Elaine, 603 Festival of Contemporary Arts, 124-25 Ficke, Arthur Davison, 118,458 Field, Edward, 681 Fifties (journal), 172-73, 667 Filipino-American poetry, 32, 34 Fine Arts Work Center (Provincetown,
Massachusetts),373 Finlay, Ian Hamilton, 338 Fire!! (journal), 273
Freedomways (magazine), 79 Freeman (magazine), 336, 715 free verse, 213-14,224-26, 503-04, 583-84;
325,354,389,401,461,502,504, 584-85, 596, 620, 759, 761; "Acquainted with the Night," 227; "After Apple
589 fugitives and agrarians, 173, 234-37, 501,
Giorno, john, 508 Giovanni, Nikki, 249-50; "Adulthood," 249;
Gluck, Robert, 554 Goad (magazine), 644 Gold, Mary jane, 707 Goldberg, Michael, 520, 523 Golden Goose (magazine), 644 Gonne, Maude, 40 Gonzales, Rodolfo "Corky": I Am Joaquin
Grahn, judy, 240, 609; Death of a Common Woman, 557; "fortunately the skins," 240; Highest Apple (essay), 240; "History of Lesbianism," 240
Grossman, Allen, 255 - 57 Guest, Barbara, 24, 257-58; "Chalk," 258;
Guest, Edgar, 392; "Home," 392; "Lemon Pie," 392
Greatness," 392 Gunn, Bill, 79 Gunn, Thorn, 239, 260-62, 364, 644;
Kerouac's Mexico City Blues, 354 Hak Kyung Cha, Theresa, 266-67; Dictee, 34 Hale, William Gardner, 574 Hall, Donald, 268-69, 351, 452, 685; "Elegy
for Wesley Wells," 268; "Ox Cart Man," 268
Harland, Henry, 400 Harlem Renaissance, 19, 187, 271-74, 444;
History," 277; "Blue Ruth," 275; "Brother john," 276; Dear John, Dear Coltrane, 276-77; "Dear john, Dear Coltrane," 275,277; "Deathwatch," 275; "Debridement," 275; "Family of Debridement," 275; "Gains," 277; "Grandfather," 277; "Kin," 277; Nightmare Begins Responsibility, 275, 277-78; "Nightmares Again," 275; "Reuben, Reuben," 275,277; "Ruth's Blues," 275; "We Assume," 275,277; "Where Is My Woman Now," 277
Politics of Poetry," 376 Hart, james, 644 Hart, Lawrence, 713 Hartman, Charles 0., 434 Harvard University, 579 Harwood, Lee, 181 Hass, Robert, 278-81, 373, 491, 627; "Apple
Hausmann, Raoul, 169 Hawk's Well Press, 171, 630 Hayden, Robert, 3, 275,282-86, 599, 609;
internment of japanese-Americans, 33-34 In the American Tree (anthology), 375 Introduction to Poetry, 351, 352 Iowa Writers' Workshop, 341 Irigary, Luce, 547 Iron, 125 Isadore, Raymond, 338 Isherwood, Christopher, 38
jabes, Edmond, 547, 745 jack Kerouac School of Disembodied Poetics at
the Naropa Institute (Boulder, Colorado), 743
jackson, Roman, 397 jackson, Schuyler, 616 jACL,33 jacobs, Alex, 496 jacobs, Harriet: Incidents in the Life of a Slave
Girl, 272 james, Henry, 86, 204, 535 james, Louis: Caribbean Literature in English,
126 japanese American Citizens League (JACL), 33 japanese-American poetry, 32-34 japanese poetry, 323, 602 jargon Press, 84, 403 jarrnan, Mark, 491, 504 jarrell, Randall, 19, 78, 136, 140-41,230-31,
325-28,417,500,519,589,719, 748-49, 750; "At the End of the Rainbow," 326; "Black Swan," 327; "Come to the Stone ... ," 750; "Death of the Ball Turret Gunner," 326; "Deutsch durch Freud," 325; "Eighth Air Force," 749-50; "In Montecito," 326; "jerome," 326; "Losses," 326, 749; "Lost World," 328; "Next Day," 326; "90 North," 328; "Old and the New Masters," 43; "Protocols," 750; "Quilt Pattern," 327; "Second Air Force," 326; "Seele im Raum," 327; "Sick Nought," 326; "Siegfried," 326, 749; "Thinking of the Lost World," 328; "Truth," 750; "Woman at the Washington Zoo," 326
jauss, David, 504 jazz, 187; in Beat poetry, 52; Carruth
influenced by, 129, 130; Coolidge influenced by, 139; in Cortez's poetry, 142; and Ferlinghetti's work, 218; in Harper's poetry, 274, 276, 277; Hughes' views on, 312, 314; Kerouac influenced by, 353, 354; in Komunyakaa's work, 368; Lindsay as jazz poet, 395; and performance poetry, 555-56; in Sanchez's work, 639; in Taggart's poetry, 717
Jeffers, Robinson, 208-09, 248, 329-33, 491; "Answer," 329, 330; "Boats in a Fog," 329; "Hurt Hawks," 331-32; "Meditation on Saviors," 329; "New Mountain Mexican," 329; "Rock and Hawk," 330; "Shine, Empire," 333; "Shine, Perishing Republic," 332-33; "Shine, Republic," 333; "Theory of Truth," 330
Jefferson, Thomas, 637, 752 jekyll, Walter, 127
jenkins, Nicholas, 38 jewish-American poetry, 18, 598; of Levertov,
383; of Levine, 389; of Objectivist poets, 519, 604; and Rakosi, 588; of Reznikoff, 604-05, 606; of Rothenberg, 630; of Stern, 692; Zukofsky's "A" as, 785-86
[inshan ge ji (anthology), 32 joans, Ted, 53; "Long Distance," 709 john D. and Catherine T. MacArthur
Foundation, 581 john of the Cross, Saint, 202 Johns, jasper, 25 johnson, Charles S., 272 johnson, Georgia Douglas, 15, 273, 333-34;
"Aliens," 334; "Black Women," 334; "Dead Leaves," 334; "Despair," 333-34; "Foredoom," 333-34; "Homing Braves," 334; "Illusions," 333-34; "My Little Dreams," 334; "Omega," 333-34; "Shall I Say, 'My Son, You Are Branded?" 273-74; "Smothered Fires," 333-34; "When I Am Dead," 333-34
johnson, Helene, 273 johnson, james Weldon, 272, 334-37,443;
Along This Way (autobiography), 335; "Creation," 336-37; "Crucifixion," 337; "Fifty Years," 335; God's Trombones, 335, 336-37, 599; "Let My People Go," 337; "Lift Every Voice and Sing" (song), 335; and "Run Brudder Possum" (song), 335
johnson, joyce: Minor Characters, 53 johnson, Lyndon B., 416, 418 johnson, Ronald, 83, 338-39; "Different
Musics," 338; "Quivira," 338; "WorldFramed Page" ("molecules on void"), 338
johnson, Rosamond, 335-36 johnson, Samuel, 613 jolas, Eugene, 707 jonas, Steve, 88 Jones, D.G., 124 Jones, Hettie: How I Became Hettie Jones, 53 Jones, LeRoi. See Baraka, Imamu Amiri Jonson, Ben, 37, 167 joplin, Janis, 52, 179 Jordan,jun~270,340-41,399,609; "Casein
Point," 340; Civil Wars (essays), 340; "Getting Down to Get Over," 340; "Moving Towards Home," 340; "1977: Poem for Mrs. Fannie Lou Hamer," 340; "Okay Negroes," 340; "Song for Soweto," 340
Josephson, Matthew, 706 Journal of Black Poetry, 78, 79 Joyce, James, 121, 122, 211, 322, 346-47,
Judaism, 598-99; Mezey's analysis, 457 in Plath's poetry, 564; in Zukofsky's "A," 785-86. See also Jewish-American poetry
Julian of Norwich, 202, 600 Jung, Carl: and Aiken's work, 1; Bly influenced
by, 94; Deep Image influenced by, 172, 206; Henson compared to, 496; in Olson's work, 528, 534; Roethke influenced by, 625
justice, Donald, 341-44; "After a Phrase Abandoned by Wallace Stevens," 342; "Counting the Mad," 342; "Early Poems," 342; "First Death," 342; "Fragment: To a Mirror," 342; "Love's Strategems," 342; "Men at Forty," 342, 343-44; Oblivion, 342; "On the Death of Friends in Childhood," 342; "On the Painting by Patient B of the Independence State Hospital for the Insane," 342; Platonic Scripts, 342; Sunset Maker, 342; "Thin Man," 342; "Three Odes," 342; "To the Hawks," 342; "Variations on a Text by Vallejo," 342
Kafka, Franz, 606 Kagawa, Bunichi: Hidden Flame, 33 Kallman, Chester, 38,41 Kandel, Lenore, 179; "First They Slaughtered
the Angels," 646 Kantorowicz, Ernst, 88 Karoniaktatie, 496 Katz, Alex, 507, 650 Kaufman, Bob, 3, 345-46,556, 646, 708;
"Abomunist Election Manifesto," 345; "Abomunist Manifesto," 345; "Bagel Shop Jazz," 345
Kaufman, George S., 550 Keane, Shake, 128 Keats, john, 133,413,414,485, 540; Belitt
influenced by, 55; Cullen influenced by, 158; in Kinnell's "Oatmeal," 358; Lee (Li-Young) influenced by, 381; "Ode on a Grecian Urn," 42, 703; "Ode to a Nightingale," 763; Teasdale influenced by, 724
Kees, Weldon, 247, 248, 346-48; "Abstracts of Dissertations," 347; "Contours of Fixation," 347; "Cornucopia for Daily Use," 347; "Crime Club," 347; "Dead March," 347; "Dynamite for Operas," 347; "Eight Variations," 347; "End of the Library," 347; "Five Villanelles," 347; "For My Daughter," 347; "Henry James at Newport," 347; "Interregnum," 347; "Lines for an Album," 347; "Lives," 347; "Midnight," 346; "Moving Target," 347; "Pastiche for Eve," 347; "Robinson Poems," 348; "Salvo for Hans Hofmann," 347; "That Winter," 347; "Travels in North American," 347; "Two Cities," 347; "What the Spider Heard," 347
Kelly, Robert, 83, 172-73,206, 349-51, 630; "Notes on the Poetry of the Deep Image," 172; "SpiritlVanguard Art," 349
Kennedy, John E, 226, 504 Kennedy, Joseph Charles. See Kennedy, X.J. Kennedy, Leo, 123 Kennedy, X.]., 351-52; "Brats," 352;
Forgetful Wishing-Well, 352; "In a Prominent Bar in Secaucas One Day," 352; "King Tut," 351; Knock at a Star (children's book), 351; "On a Child Who Lived One Moment," 351
Kenner, Hugh, 576
Kenny, Maurice, 496 Kenyon Review, 172, 263, 402 Kerouac, Jack, 52, 53, 140, 141, 171, 175,
217,242,244,353-55,673, 756; Baraka influenced by, 47; "Berkeley Song in F Major," 353; Coolidge influenced by, 139; Dharma Bums (novel), 645; on di Prima, 179; Mexico City Blues, 353, 354-55; On the Road (novel), 53, 353
Kesey, Ken, 62 Kilmer, Joyce, 356-57; "Inefficient Library"
(essay), 356; "Peacemaker," 356; "Prayer of a Soldier in France," 356; "Rouge Bouquet," 356; "Trees," 356; "White Ships and the Red," 356
Kim, Myung Mi: Under Flag, 34 King, Martin Luther, Jr., 15 King, Woodie, Jr., 79 Kingsley Tufts Memorial Prize, 580 Kingston, Maxine Hong, 678 Kinnell, Galway, 357-62,381, 389,452;
"Bear," 358; Black Light (novel), 357; "Dead Shall Be Raised Incorruptible," 361; "Freedom, New Hampshire," 359; "Fundamental Project of Technology," 357, 360-61; "Last River," 357; "Little Sleep's-Head Sprouting Hair in the Moonlight," 359, 361-62; "Oatmeal," 358; "Porcupine," 358; "Rapture," 358; "Vapor Trail Reflected in the Frog Pond," 357, 359; Walking Down the Stairs (interviews), 357
Kiuchi, Shumpa, 33 Kiyooka, Roy, 123, 125 Kizer, Carolyn, 136, 362-63; "Great Blue
Heron," 362,363; "Muse," 363; "On a Line from Valery" (Gulf War), 363; "Parent's Pantoum," 363; "Pro Femina," 362, 363; "Semele Recycled," 362; "Ungrateful Garden," 362
Kleinzahler, August, 364-65; "Coconut Oil," 364; "Flynn's End," 364; "Follain's Paris," 364; "Green Sees Things in Waves," 364; "Heebie-Jeebies," 364; "Indian Summer Night," 365; "Kid Clarinet," 364; "Like Cities, Like Storms," 364; "Poetics," 364; "Real Hair," 364; "San FranciscolNew York," 364; "Sunset in Chinatown," 364; "Warm Night in February," 364
Kline, Franz, 521, 528 Knight, Brenda,S3 Knish, Anne. See Ficke, Arthur Davison Knister, Raymond, 123 Koch, Kenneth, 24, 222, 257, 366-67,
506-0~521,545,650-51;"Art of Poetry," 366; "Boiling Water," 366; "Fresh Air," 393, 507; I Never Told Anybody, 507; Ko, 27, 507; "Mending Sump," 393, 507; One Train, 507; "On the Great Atlantic Rainway," 366; Pleasures of Peace, 507; Rose, Where Did You Get That Red?, 507; "This is Just to Say," 366; "To You," 366; "Variations on a Theme by William Carlos Williams," 366; Wishes, Lies, Dreams, 507
Koller, James, 497 Komunyakaa, Yusef, 367-70, 751; "Butterfly-
Toed Shoes," 368; "Dead at Quang Tri," 751; Dien Cai Dau, 750; "Eyeball Television," 368; "Facing It," 368, 369-70; "Jungle Surrender," 368; "Knights of the White Camellia & Deacons of Defense," 368; Neon Vernacular, 369; "One-legged Stool," 368; "Songs for My Father," 368; "Tu Do Street," 750; "Venus's-flytraps," 368
Kono, Juliet: Hilo Rains, 34 Kooser, Ted, 248 Kootney School of Writing, 125 Korean-American poetry, 32, 34 Korean War, 645, 748, 751 Kornblum, Allan, 402-03 KPFA (radio station), 645 Kreuger, Barbara, 122 Krise, Thomas W., 126 Krutch, Joseph Wood, 54 Kulchur, 401 Kultura, 468 Kumin, Maxine, 136, 370-72; "After the
Poetry Reading," 371; "Encounter in August," 371; "Homage to Binsey Poplars," 370; "Making the Jam without You," 370; "Nurture," 370; "October, Yellowstone Park," 371; "Retrieval System," 371; "Splitting Wood at Six Above," 370; "Territory," 371; "Thoughts on Saving the Manatee," 370; "Woodchucks," 370; "You Are in Bear Country," 371
Kunitz, Stanley, 222, 372-73, 778; "Father and Son," 372; "Layers," 372; "Portrait," 372; "Three Floors," 372 Kyge~Joanne,52,53, 188 Kyk-over-al, 128
labor issues: in Cortez's "I'm a Worker," 143; in Taggard's work, 715
Lacan, Jacques, 398 "Lady Baltimore." See Reese, Lizette
Woodworth LaForgue, Jules, 144, 204, 214, 712;
"Preludes," 712 Lamantia, Philip, 3, 52-53, 189, 644, 645,
708 Lambda Literary Awards, 582 Lamming, George, 128 Lampham, Archibald, 123 Landor, Walter Savage, 167 L=A =N= G= U=A= G=E (journal), 14,
57,293,375,402 L=A =N= G= U=A= G=E Book, 375 language-centered writing, 14 "Language" Poetries (anthology), 375, 398 Language poetry, 23, 83, 214, 375-78, 398,
402,439,547,582; Andrews and, 13-14; Ashbery's influence on, 25; Bernstein and, 57; Coolidge's influence on, 139; of Guest, 257, 258; of Hejinian, 293; Perelman's contribution to, 553-54; of Silliman, 663, 664; Stein's influence on, 689; Waldrop and, 745; Zukofsky as precursor to, 785
Lannan Lifetime Achievement Award,S 81 Lansing, Gerrit, 378-79; "Amazing Grace and
a Salad Bowl," 378; "Behind the Vale and in the Pleasaunce of the Pythagorean Comma," 378; "Blue Decrepit Town," 378; "Burden of the SET" (essays), 378; "Castle of Flowering Birds," 378; "Curve," 378; "Dark Grammarian," 378; "Great Form is Without Shape," 378; "Heavenly Tree Grows Downward," 378; "In Erasmus Darwin's Generous Light," 378; "Judgment of the City," 378; "Milk of the Stars from Her Paps," 378; "Northern Earth," 378; "Poem of Love in Eleven Lines," 378; "Reminders," 378; "Soluble Forest," 378; "Working in the Lower Red Field," 378
Laotian-American poetry, 32 Lao-Tse,7 Lark, 401, 712 Larsen, Nella, 274 Last Poets, 557 Lathem, Edward Connery: Poetry of Robert
Frost, 231 Latino poetry. See Hispanic-American poetry Lau, Alan: "Water that Springs from a Rock,"
33 Lau, Carolyn, 33; "Footnote to a Dispute
among Confuscious's Disciples," 33 Laughlin, James, 400, 403, 571, 578, 766 Lauterbach, Ann, 379-81; "Configurations in
One," 379; "Moths to Flame," 380; "N/ EST," 380; "Psyche's Dream," 380; "Revenant," 380; "Scene Shifts," 380; "Untoward," 380; "White Sequence," 379
Lawrence, D.H., 288, 321, 322, 359,401; and Bynner, 119; Duncan influenced by, 188; Roethke influenced by, 626; San Francisco Renaissance inspired by, 645
Lawson Fusao Inada: Legends of Camp, 34 Layton, Irving, 82, 124 Leavis, ER., 397 Lee, Don L. See Madhubuti, Haki R. Lee, Li-Young, 33, 381-82; "City in Which I
Love You," 382; "Dreaming of Hair," 381; "Furious Versions," 381-82; "Gift," 381; "Persimmons," 381; "Rain Diary," 381-82; "This Room and Everything in It," 382; Winged Seed (memoir), 381
LEGEND (collaborative poem), 376 Leite, George, 644 Leithauser, Brad: "Post-Coitum Tristesse," 505 Lenore Marshall Prize,S80 Lentricchia, Frank: Modernist Quartet, 473 lesbian poetry. See gay and lesbian poetry LeSueur, Meridel, 644, 645, 715 Levertov, Denise, 82, 188, 189,217, 300,
383-87,424,598,599-600,601,608; "Advent 1966," 384; and di Prima, 179; "Lamentation," 385; and Morley, 83; Oblique Prayers, 600; "Olga Poems," 384, 385-86; "Shifting," 84; "To a Snake," 383; and Vancouver Poetry Conference, 125; "What Were They Like," 384; "Woman Alone," 386-87; "Writer and Reader," 399
Mallarrne, Stephane, continued Coup de des n'abolira le basard ("throw of the dice will not eliminate chance"), 213; "Crisis in Poetry," 711; Guest influenced by, 257; Jeffers compared to, 329; Sobin influenced by, 677
Man, Paul de, 398 Man Ray, 706, 707 Maria, Walter de, 121 Marinetti, ET., 424, 426 Mark, Diane, 33 Markham, E.A., 128 Marlatt, Daphne, 125 Marlowe, Christopher: Hero and Leander, 148 Marquis, Don, 392-93 Marsdon, Una: "To Wed or Not To Wed," 127 Martial (Roman poet), 167 Martin, John, 117 Martin, Peter, 217, 645 Martinez, James, 127 Marvell, Andrew, 204 Marx, Karl: in Clampitt's Archaic Figure, 133;
Communist Manifesto parodied by Reed, 594; Rakosi's study of, 588
Mason, David, 504 Massachusetts Review, 402 Masses, 401, 442, 715 Masters, Edgar Lee, 225, 394, 435-36,
458-61, 726; "Julia Miller," 435; "Mollie McGee," 461; Spoon River Anthology, 623
Mathiessen, EO., 719 Matisse, Henri, 452 Matsui, Shusei, 33 Matta, 707, 708 Matthews, Harry, 212 Matthews, William, 436-38; "Fox Ridge State
Park, Illinois, October," 437; "Homer's Seeing-Eye Dog," 437; "Men at My Father's Funeral," 437; "Mingus at the Half Note," 437; "Mingus in Shadow," 437; "Money," 437; "Morningside Heights, July," 437; "Nabokov's Blues," 437; "Smoke Gets in Your Eyes," 436; "Straight Life," 436; "39,000 Feet," 436-37; "Time," 437; "Whiplash," 492
Matthiessen, Peter, 212 Ma ugharn, Somerset, 550 Mayakovsky, Vladimir, 520 Mayer, Bernadette, 139, 306, 402, 438-39,
508, 509; "Way to Keep Going in Antarctica," 438; "Woman I Mix Men Up ... ." 439
McAlmon, Robert, 480, 518 McCaffery, Steve, 125, 375-76; North of
Intention, 375; Open Letter, 376; "Politics and the Referent" (symposium), 376
McCarthy, Gerald: "War Story," 749 McCarthy, Mary, 652 McCarthyism, 645 McClatchy, J.D., 241 McClure, Michael, 52, 53, 188, 355, 645;
Sobin influenced by, 677; and Tallman's festival, 124
McClure's (magazine), 118 McDowell, Robert, 491
Mcfadden, David, 125 McGill Fortnightly Review, 123 McGill University, 123 McGinley, Phyllis: "Female of the Species Is
Hardier Than the Male," 392 McGrath, Connell, 402 McGrath, Thomas, 440-41; "Drowned Man,"
440; "First Book of Genesis According to Marshall," 440; "He's a Real Gone Guy," 440; "Isles of Greece," 440
McKay, Claude, 127, 128,441-46; "America," 444; "City's Love," 445; "Desolate City," 445; "Gordon to the Oppressed Natives," 442; "Harlem Dancer," 442; Home to Harlem (novel), 443; "If We Must Die," 272,274, 441-42,444; "Invocation," 442,443; "Lynching," 444-45; "Rest in Peace," 445; Songs, 127; "Tropics in New York," 272-73; "White City," 445-46; "White House," 445
McNeill, Anthony, 128 Measure: A Journal of Poetry, 715 media and poetry, 306, 655 Melnick, David, 375; Pcoet, 375, 377 Melville, Herman, 242; Moby-Dick, 148, 423,
527 memory: use in narrative poetry, 492-93 men: in Justice's "Men at Forty," 343; in
Lorde's work, 409; in Rich's "Snapshots of a Daughter-in-Law," 614. See also gender
Mencken, H.L., 161, 596 Mendelson, Edward, 35, 38,44 Menorah Journal, 604 Merlin, 212 Merrill, James, 38, 136, 265, 446-51; Bait
(play), 447; "Broken Home," 447; Changing Light of Sandover, 38, 449-50; "Charles on Fire," 447; "Days," 447; Diblos Notebook (novel), 447; Different Person (memoir), 447; "Downward Look," 448; "18 West 11th Street," 447; "From the Cutting-Room Floor," 450; "Lost in Translation," 447,450-51; "Matinees," 241,447; "Nine Days," 450; "Palm Beach with Portuguese Man-ofWar," 448; "Self-Portrait in Tyvek (TM) Windbreaker," 448; Seraglio (novel), 447; "Tenancy," 447; "Thousand and Second Night," 447; "Upward Look," 448; "Urban Convalescence," 447; "Voices from the Other World," 449; "Will," 449
Merrill, Stuart, 711-13; "Credo," 711; "Tommy Atkins," 711
Merton, Thomas, 209, 598 Merwin, W.S., 38, 172, 451-56, 582, 608,
649; "Act of Conscience," 453; "Animals," 452; "Asians Dying," 452; "Chinese Mountain Fox," 454-55; "Cover Note," 453; "Drunk in the Furnace," 455-56; "Ecology, or the Art of Survival," 453; "For a Coming Extinction," 452; House and Travellers (short stories), 452; "Is That What You Are," 452; "Lament for the Makers,"
453; "Leviathan," 455-56; "Milton," 453; Miner's Pale Children (short stories), 452; "New Right Arm," 453; "Notes for a Preface," 452; "Stranger," 453; "Testament," 455; "Testimony," 453; "To Name the Wrong," 453
Merz movement, 169 Messerli, Douglas, 215 metaphysical poetry, 144, 237, 502, 752, 759 meter. See prosody and versification Mezey, Robert, 457-58; "At the Point," 457;
"Couplets," 457; "Pros and Cons," 457; "There," 457; "Wandering Jew," 598; "White Blossoms," 457
Micheline, Jack, 52 Mid-Century American Poets (anthology), 132 Middle East: discussed in Jordan's work,
340-41 Middle Generation, 656-57 Midwestern Poetry Renaissance, 458-63 Miles, Josephine, 52, 88, 644 Millay, Edna St. Vincent, 19, 333, 460, 461,
462-67, 556, 580; "Anguish," 463; "Ballad of the Harp-Weaver," 462; Cullen's influence on, 158; "First Fig," 463; "Hangman's Oak," 463; "Justice Denied in Massachusetts," 462, 463, 464-65; Kumin influenced by, 370; Oliver influenced by, 525; Parker's admiration for, 550; Reese influenced by, 596; "Renascence," 461,462, 466-67; "Sonnet XV," 463; "Spring," 462,463; Teasdale and, 724; "To Those Without Pity," 463; "Ungrafted Tree," 462; "Wine from These Grapes," 462, 463; and Wylie, 780
Miller, Arthur, 15 Miller, Henry, 84, 645, 706 Miller, Lee, 707 Miller, Vincent, 575-76 Milner, Ron, 79 Milosz, Czeslaw, 220, 329, 467-71; "Ars
Poetica?" 468,469-70; "Campo dei Fiori," 467,470-71; "Child of Europe," 467; Dolina Issa (Issa Valley), 468; "Gates of the Arsenal," 467; "Hymn," 467; "Language Changed," 468; "Traktat moralny," 467-68; "Voices of Poor People," 467; Widzenia nad Zatoka San Francisco (Visions from San Francisco Bay), 468; Witness of Poetry (lectures), 468; "World," 467; Zdobycie wladzy (Seizure of Power), 468; Zniewolony umysl (Captive Mind), 468
Milosz, Oskar, 467 Milton, John, 183,202; "Lycidas," 721;
Paradise Lost, 199, 338, 590 mimeograph: effect on poetry publishing, 401,
402,509 Mingus, Charles, 437, 557 minorities: in canon, 18, 502; as performance
poets, 556; poetry prizes for, 582. See also specific ethnic groups, races, and religions
Mirikitani, Janice, 34; "Jungle Rot and Open Arms," 34
Miro, Joan, 716 Mirror (periodical), 435, 459, 461
m I
; t ;
;
,
,
,
,
, ,
; ,
, ,
; ;
,
, , ;
; ;
; ; ;
; ;
m ,
9, , , , ;
; ,
, 5, ;
., 8, ,
,
F ,
l,
; ,
, ,
, ; ,
, 4
l, ,
, , , ; ,
; , ,
; '
, ,
, , ,
; ,
; ;
, , ;
; ;
; ;
; ll,
, ., 2, , ,6 , t ;
,
;
; ;
t ; ;
;
; t ; ;
;
, , 4, 7, , ,7
t ;
;
l
, , ,4 , , ,5
; ,
; ," tts," ,
, ; , ; e," ,
, , ,"
, ; s," ,
, ,
, ,
,
," ;
; ," ; ;
;
; ;
, ;
, , ;
9, , ,
, : ; , ; .
