ABSTRACT
From the raw physicality of Aunt Bill to the radio mike performance of Push the Boat Out to the collaboration of Strange Relations, and finally to hypertext narrative work, live artist Leslie Hill traces the currents of her experimentation with form and content and explores the links between lived experience and issues of sexuality and gender in her performance work. [Article copies available for a fee from The Haworth Document Delivery Service: 1-800-342-9678. E-mail address: getinfo@haworlhpressinc.com]
