ABSTRACT
I want to explore in this chapter the question of man and drama in terms of what I, as an analytical psychologist, can contribute to an elucidation of it by drawing on my clinical experience and on my store of those theories that have proved to be useful models. Such elucidation may help towards a better and firmer assessment of the healing potential of drama when it is enacted on the stage, in the therapist's consulting room or in real-life situations.
