ABSTRACT

A site of constant exchange and transition, Columbus Circle is suspended in a state of marginal profligation through numerous fugitive concurrences. In relation to the greater metropolis, it is not a destination, but rather an intricate layering of crossroads. Within such an enigmatic environment, the project becomes a means to vary the velocities of encounters on the site. Programmatic spaces weave through the existing field as continuous platforms; a viewing balcony becomes a stage that then continues into a reception lobby. The results are formal and informal performance spaces that run alongside and around the underground transit system. The surface above ground is opened to that below with light-wells, overlooks, and a theater space that pierces through vehicular traffic. Performance, exhibition, and audience are constantly in flux in this environment: one must decide for oneself what is to be performed and what is to be exhibited.