ABSTRACT
The visual matrix is a qualitative, group-based method that was originally designed for researching experience of artistic production or reception and the psychosocial impact of aesthetic objects, processes or events on audiences, groups or communities. This chapter describes the visual matrix method, briefly highlighting its applications and some of the theoretical resources that have informed its development. It focuses on the conduct of the visual matrix and the nature of symbolisation within it. Key to a well-functioning visual matrix is the ‘containment’ offered by the setting. The idea of a container–contained situation is central to Wilfred Bion’s theory of thinking as a process of affectively and sensuously grounded symbolisation. A visual matrix produces a succession of scenes to work with as participants weave together situated memories, small stories, scenarios taken from life, dream, art, media or other cultural reference points.
