ABSTRACT

The introduction discusses what is meant by ‘modern’, ‘modernism’ and ‘modernist’, and how this relates to sacred space. Existing literature across theology, religious studies and art and architectural history is surveyed. The question of what makes a building sacred is explored, with specific reference to the spaces discussed in this volume. Rather than follow a linear account of modern architecture, the editors consider how such buildings can be read. It is emphasized that the architecture under consideration much be considered first and foremost as sites of collective identity, with particular attention being given to the many contributions that women have made to build space. The structure of the book and the individual chapters are introduced. Finally, the editors consider the common themes that run throughout the book through the prism of community.