ABSTRACT
Naturalizations, unlike inaugurations and national party conventions, are one of the few daily repeated political theatre experiences, replete with monologs, dialogues, costumes, props, actors, stage managers, plural audiences, and staged practices. They serve as a public ritual to render foreigners into members. In so doing, they generate a citizen identity, reinforce the power of the state and confirm a relationship between new citizens, current citizens, and the state. In this article, through an interpretive process including participant-observation and grounded theory approaches, I question the presence, interaction, and roles of the multiple publics (immigrants, observers, civil servants, judges and non-governmental groups) in a naturalization ceremony. I present field notes and reflections from a ‘typical’ US naturalization ceremony. I deconstruct the choreography and structure of the public ritual to show what the public performance of naturalization tells us about what it means to be an American citizen. I explore what messages the state is trying to convey to naturalizing immigrants (and others) through the ritual of the naturalization ceremony. The locus of inquiry is New York City where 70,000 of the 680,000 naturalizations take place every year.
