ABSTRACT
This volume explores the problematic of interdisciplinarity when one of the disciplines lies within the purview of performance. It is for performance practitioners and scholars who are living, learning, writing, teaching, making and thinking at the edges of their specialism(s). It is also for those wishing to harness practice, as a way of doing, to activate and interrogate knowledge. In this book you will find a new way of engaging with performance as it intersects, collides and/or integrates across disciplinary boundaries.
