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Chapter

Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775

Chapter

Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775

DOI link for Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775

Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775 book

Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775

DOI link for Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775

Introduction: Creating “the MAN”: Re(de)fining Masculinity, 1660–1775 book

ByMegan A. Woodworth
BookEighteenth-Century Women Writers and the Gentleman’s Liberation Movement

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Edition 1st Edition
First Published 2011
Imprint Routledge
Pages 26
eBook ISBN 9781315578972

ABSTRACT

Women writers come to the question of masculinity with a necessarily different agenda than their male predecessors and counterparts. The beginnings of a new kind of masculinity can be seen in Sir Richard Steeles play The Conscious Lovers, with the virtuous Sir Richard Steeles Mr. Bevil. David Kuchta asserts that modern English masculinity is a conspicuously political and conspicuously public creation and the political nature of masculinity and gentility can be nowhere more clearly seen than in the civic humanist thought that dominates eighteenth-century politics. While they are integral, as in Samuel Richardsons formulation women must embrace their own subjection in order to fashion the type of masculinity Rousseau advocates. Enlightenment stadial theory, which attempted to account for the progress of societies from savagery to civilization, considered women to be both bearers of culture and civility and as indicators of a given societys level of civilization.

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