ABSTRACT
There are several elements that define the multiplane downshooter. The most distinguishing factor is that this type of shooting requires an animation stand. Most independent downshooting artists make custom stands that can be as simple as a mounted piece of glass that is placed in front of a camera on a tripod. The downshooter does present some very specific challenges when it comes to lighting. Shooting cutouts, which are usually flat graphic images, traditionally have a much more restricted range for lights. The lighting has more to do with allowing the artwork to be read clearly and with even lighting. "Downshooting" refers only to the shooting setup, but the objects or material that can be animated are quite varied. The largest technique in downshooting is "cutouts". This area could warrant a book on its own because of its deep history and varied applications.
