ABSTRACT
Film is all about movement, exists only because of it, and especially for animation movement is its own art form, as we are able to control movement like no other artist can. This chapter approaches movement more from a general and overall perspective when it comes to the design of the frame and how movement leads the eye through the image. Movement itself will always overwrite composition, no matter how strong the composition itself is or how visually attractive. The high magnitude of the small square’s movement attracts the eye constantly. Additionally, the lower movement of the squares is one continuous movement, but the incoming ball interrupts with its otherness and therefore also becomes more interesting.
