ABSTRACT

I started thinking about [who I was as a musician and establishing my own sound] in 1950 or

‘51. But I was scared to try. I could get a lot of work sounding like Nat (King) Cole. I woke up

one morning and I started to thinking, nobody knows my name. Everybody said to me, “Hey

kid, hey kid, you sound just like Nat Cole, hey kid.” It was always “Hey kid.” Nobody never

said “Ray,” never, never, never. So I started telling myself: “Your Momma always told you to

be yourself. And you got to be yourself if you’re going to make it in this business. I know you

love Nat Cole. But you got to stop that.”