ABSTRACT
Raw is the new buzz word in photographic circles the world over. Professionals and serious amateurs alike are switching their cameras from the standard JPEG and TIFF capture options to the Raw format. This is despite the fact that doing so will mean that they add an
another processing step to their digital photography workfl ow. It seems that the extra level
of control possible when processing your own Raw fi les (rather than letting the camera do
the work) is worth the effort. So how do Photoshop Elements users become part of the Raw
Revolution? Well this chapter will outline both the workfl ow and conversion techniques that
you can employ to make Raw capture and processing a regular part of your photographic
routine.
