ABSTRACT
Livourne, V, 1772, pp. 303-304; A. Sutherland Harris, Andrea Scacchi, Oxford, 1977, n. 80, p. 100 (on the Dream of Saint Joseph which still exists, but repainted, in San Giuseppe a Capo le Case).
28. On the “custody” of Maratta, see Bellori, 1672-1696, ed. 1976, pp. 647-649. For various restorations attributed to Maratta, see: F. W. von Ramdohr, über Malerei und Bildhauerbeit in Rom, II, Leipzig, 1782, pp. 72-73 (background of the Ganymede by Damiano Mazza, which is now in the National Gallery, London); J. Lohninger, S. Maria dell’Anima …, Rome, 1909, p. 101 and note 1. The attribution to Maratta of the restoration of the Dea Barberini which is referred to by Winckelmann is a traditional one, see Cagiano di Azavedo, La Dea Barberini, in “Bollettino dell’Istituto di Archeologia e Storia dell’Arte”, 1954, pp. 108-111, in Cultura e tecniche artistiche, Milan, 1986, pp. 57-60.
