ABSTRACT
Despite the proliferation of digital imaging systems, learning about and understanding thecharacteristics of the different formats in film-based systems provides an important startingpoint in the understanding of photography and can make the process of deciphering the complexities of digital imaging easier. Indeed, it is often the use of film cameras and the joy of
watching a print appear under the safelight that initially piques the interest of a would-be
photographer, even today. Without first considering film-based systems, there is no benchmark for
evaluating the merits of digital camera systems. Additionally, at the time of writing, although smaller
formats are now dominated by digital equipment, the limited choice and high cost of digital large
format can be prohibitive; therefore a number of professionals still work with film. This chapter
begins by introducing camera systems using film, providing a comparison of the main formats used
by professionals, before moving on to digital cameras. It attempts to provide an overview, necessary
when considering the purchase of camera equipment. It also aims to highlight the way in which
camera design influences the method and type of photographic work. Included is a section on
specialized accessories. This mainly covers cameras using film, although a number of accessories
can be adapted for digital (but some of them, such as Polaroid (Instant-picture) adaptors, are not
necessary when working digitally). Following this is a section on avoiding camera failures. The
remainder of the chapter covers digital cameras, characteristics, basic features and types of camera
systems. It is hoped that the level of detail will highlight the differences between working with film
and working digitally. A summary comparison is provided at the end.
