ABSTRACT
Often, speed lines can follow the motion of the character or direct the reader's eye toward the next panel, but this is not always the case. The focus is entirely on the object in motion and is represented by the speed lines of the background. These speed lines can often go over the character because they are intended to bring the eye to the focal point of the panel-often the character's head or eyes, since that's where most expression is shown. Finally, speed lines are used as epiphany: when a character discovers his Big Idea; when he finally gets to kiss the girl; or when he finally solves the clue and determines the culprits behind the mystery. If a page has multiple panels with speed lines, they should not touch or be similar in style and direction, as this will cause tangents and reader confusion.
