ABSTRACT
At some point along the way, I have come to realize that forming a clear picture of the idea or story you want to put over gives you something to shoot for. This picture or fi rst impression is accompanied by a kinesthetic awareness of the gesture (or action). In other words you are not just observing the pose optically but also kinesthetically, which is like mimicking the pose or action without actually moving. Glen Keane put it so aptly when he said: “...I get into that world... ” It would be diffi cult to get into that world if you were just trying to copy what your eyes see.
