ABSTRACT
Bach’s keyboard works form one of the oldest and most important repertories of instrumental compositions that have remained in use since their conception. Although most of his vocal music was largely forgotten soon aft er his death, his keyboard works continued to be highly valued and assiduously studied, at fi rst by a relatively small circle of pupils and admirers, then in ever-widening circles that now encompass virtually everyone who has ever performed or listened to Western art music.
