ABSTRACT

One indication of the originality of Bachelard’s work is that he was famous for his writings both in the philosophy of science and on the poetic imagination. His work demonstrates his belief that the life of the masculine, work-day consciousness (animus), striving towards scientific objectivity through reasoning and the rectification of concepts, must be complemented by the life of a nocturnal, feminine consciousness (anima), seeking an expanded poetic subjectivity, as, in reverie, it creates the imaginary.