ABSTRACT
The foregoing constructivist realist outline can serve as a token of a type to prepare the way to develop a framework, and be incorporated into the idea of the theory-net outlined above, as a model for use in some logics of natural language. The foregoing route is helpful as a means to stimulate exploration and assessment of the relation of creativity to logic. Gibson (2001: 23) raised the concern with aesthetic innovative power as the issue of universals and uniqueness. Gibson (2001: 40) registered the importance of a grasp of the asymmetry of analytical and creative language. This contention does not imply that creative and logical elements of language in literary usage have to be separated in their narrative functions, though sometimes they are.
