ABSTRACT
In this third section, I want to explore how dub as a theological paradigm can transform aspects of African Caribbean Christian thought and practice. It is not my intention to detail the process in minute detail, but instead to identify how dub operates as an implicit process that guides and shapes how we re-work Christian thought. As mentioned at the end of chapter 5, the key aspects of dub are deconstruction guided by the emancipation ethic to produce a dub version. These three themes will appear as key registers of the process of dubbing at hand.
