ABSTRACT

This chapter examines and concretises the mainstream trajectory of contemporary cultural studies around the substantive theme of youth culture and consumption, concentrating mostly on ‘the Birmingham School’. That designation-‘Birmingham School’— derives from the international reception of British cultural studies in the Anglophone world, especially the United States, during the 1980s (see Brantlinger 1990). It homogenises and abstracts a body of work from its real conditions of production: the real conditions were heterogeneous and interactive with research outside the Birmingham Centre for Contemporary Cultural Studies. Hence, a number of caveats must be entered into the account.