ABSTRACT
Where do goals and plans come from? That is, when do we expect certain goals to be evoked? What sets up our surprise that actors have not built plans when from some source we expected they would? In simplified stories, it is possible for the story teller to introduce almost any conceivable goal arbitrarily: https://www.niso.org/standards/z39-96/ns/oasis-exchange/table">
1
Marvin wanted to have the shiniest doorknob in the office.
