My editors Wendy Fuller, Laura Williamson, and Siobhán Greaney at
Routledge sustained and supported the publication invaluably, both in their
initial enthusiasm and understanding through its final gestation. Sheri
Gordon’s copyediting sharpened the text in innumerable ways. Paul Wysocan
put together a beautiful early précis of Corrections and Collections, and
graphic designer Ninotchka Regets has taken the project beyond my hopes
and expectations, fleshing out and transforming the material into its current
— and for me, intensely gratifying — form.