ABSTRACT

For anybody actively engaged in the more creative aspects of designing and modifying sound — say, a film sound designer, for example, or a musician working in the realms of electronica — there can be little doubt that Logic represents one of the most exciting applications to work in. Right out of the box, the modern-day sound designer has access to a huge range or synthesizers, samplers, and signal processors without having to go anywhere near any third-party products. Indeed, it's highly likely that your whole sound design project (whatever form it takes) could be realistically achieved entirely within the realms of Logic.