ABSTRACT
To reduce Deleuzian philosophy to a cryptic version of itself is perhaps a disservice to the many interesting and somewhat folksy musings of the man and his collaborator Felix Guattari. The worlds of popular culture and high culture have merged, as have the intellectual and guttural worlds. Particularly important contributions to architectural thought have been his writings on the fold, rhizomes, and film and architecture. It leaves one with the sense that anything goes.
