ABSTRACT
Jules Michelet, “Principes de la philosophie de l’histoire”1
Performance is only part of a larger activity: of shaping a self out of the materials in which it is immersed, like the figure of Michelangelo’s captive.
Jules Michelet, “Principes de la philosophie de l’histoire”1
Performance is only part of a larger activity: of shaping a self out of the materials in which it is immersed, like the figure of Michelangelo’s captive.