ABSTRACT
I have worked with directors on a number of projects, but I have yet to have someone other than myself direct one of my live monologues. And I must admit, in retrospect I believe this has been a mistake. Certainly there is much to be said for trying to bring your own personal vision to the stage in as complete and detailed a form as possible. But as the performer and (often) writer, a monologuist already is bringing so much creative perspective to the project, the show will usually only benefit from the inspired input of others, especially those with theatrical experience. A good director brings to a production not only a second set of eyes and ears but a world of ideas and interpretations. And an effective monologue is much more than an instance of creative expression; it is also an instance of communication. In other words, as a monologuist your goal is not only to express yourself but to be seen, heard, and understood by your audience, and I believe it is in this matter of communication (rather than that of expression) that a director’s imput can be invaluable.
