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Ronald Bush Terry Eagleton, Heathcliff and the Great Hunger: Studies in Irish Culture (London: Verso, 1995), xii+355 pp., £18.95 (hardback), £14.00 (paperback) Joseph Valente, James Joyce and the Problem of Justice: Negotiating Sexual and Colonial Difference (Cambridge: Cambridge University Press, 1995), xiv+282 pp., £35.00 (hardback) Neil R. Davison, James Joyce, Ulysses, and the Construction of Jewish Identity: Culture, Biography and ‘the Jew’ in Modernist Europe (Cambridge: Cambridge University Press, 1996), xii+305 pp., £35. 00 (hardback) Vincent J.Cheng, Joyce, Race, and Empire (Cambridge: Cambridge University Press, 1995), xxii+329 pp., £12.95 (paperback)
DOI link for Ronald Bush Terry Eagleton, Heathcliff and the Great Hunger: Studies in Irish Culture (London: Verso, 1995), xii+355 pp., £18.95 (hardback), £14.00 (paperback) Joseph Valente, James Joyce and the Problem of Justice: Negotiating Sexual and Colonial Difference (Cambridge: Cambridge University Press, 1995), xiv+282 pp., £35.00 (hardback) Neil R. Davison, James Joyce, Ulysses, and the Construction of Jewish Identity: Culture, Biography and ‘the Jew’ in Modernist Europe (Cambridge: Cambridge University Press, 1996), xii+305 pp., £35. 00 (hardback) Vincent J.Cheng, Joyce, Race, and Empire (Cambridge: Cambridge University Press, 1995), xxii+329 pp., £12.95 (paperback)
Ronald Bush Terry Eagleton, Heathcliff and the Great Hunger: Studies in Irish Culture (London: Verso, 1995), xii+355 pp., £18.95 (hardback), £14.00 (paperback) Joseph Valente, James Joyce and the Problem of Justice: Negotiating Sexual and Colonial Difference (Cambridge: Cambridge University Press, 1995), xiv+282 pp., £35.00 (hardback) Neil R. Davison, James Joyce, Ulysses, and the Construction of Jewish Identity: Culture, Biography and ‘the Jew’ in Modernist Europe (Cambridge: Cambridge University Press, 1996), xii+305 pp., £35. 00 (hardback) Vincent J.Cheng, Joyce, Race, and Empire (Cambridge: Cambridge University Press, 1995), xxii+329 pp., £12.95 (paperback)
ABSTRACT
What difference does it make that the hero of James Joyce’s Ulysses is a Jew who isn’t quite a Jew? In 1922, it made quite a lot of one kind of difference. Then, after a spate of critics on the left who either chose not to notice or actively disapproved, it has come to make another kind of difference-to readings of Joyce, modernism and modernity.
