ABSTRACT
Chapter 10 deals with the processes of negation that “WOMAN” applies to the cruelty of the object, transforming it into a sphere including the subject while at the same time obtaining his collaboration. The paradox of these processes of negation based on the annihilation of “WOMAN” is that they unhitch the subject from the cruel dynamic of the primitive void, while allowing him to nourish himself on this void which has become full of his potentialities. The result is paradoxical because subjectivity as a negative force (destructive potential) is reinforced and actualized, in turn, as a power of negation. It is this destructive potential that plays a decisive role in the objectivation of the object and in the maintenance of its survival.
