ABSTRACT
The obstacle is essential in giving the action its proper specificity and force. Without the obstacles, actions tend to become general and run the risk of melodrama. The obstacle can certainly lead to an agon, or a conflict; but it can also induce mystery, wonder, adventure, or romance. The obstacle sets or re-sets the terms of the relationship. The obstacle to Oedipus’ search for truth creates a sense of mystery. From our intention to its realization, the action must pass through a series of external and internal obstacles that ultimately sculpt the action into a particular and recognizable form. The external obstacle remains the fear of being found out by others.
