ABSTRACT
A version of the improved process was adopted by Maxime du Camp during his expedition to the Middle East. The separation of printing from photographing, the basis of both Henneman and Blanquard-Evrard’s businesses, as well as being central to introduction of the Kodak system for amateur photographers later in the century, has become a commonplace aspect of the professional practice of photography. While on vacation in the United States in 1962, Lartigue, then 69 years of age, showed some photographs to a New York photography agent, and they soon came to the attention of Szarkowski at MoMA, who offered to exhibit them. In the case of Lartigue, this refashioning was both physical and rhetorical. In 2013, another survey of Winogrand's work was mounted at the San Francisco Museum of Modern Art, this time featuring 100 photographs that had not previously been printed; these were chosen from what was reported to be 6,600 rolls of film left behind by the artist.
