ABSTRACT
Postproduction sound works well when it has a systematic set of procedures. In Hollywood, there is a codified system that has been developed over many years. This system has variations depending on the budget and time allowed for the project. In general, however, most professional films and television shows in Hollywood follow the same paradigm. There is the accepted hierarchy of players and the expected conventions of the process. It is important to understand this system that lays out a common-sense approach for anyone who wants a tried-and-true blueprint for putting a soundtrack together. The Foley artists are accountable to the supervising Foley editor. There may be another Foley editor, but the supervisor is in charge. This editor will have spotted the required Foley with the supervising sound editor and will have cued the Foley for the stage.
