ABSTRACT
In order to explore different artistic methods, the intervention in public space called Counterplate was an approach in evoking counterfactual thoughts verbally. Statements regarding decisions were embossed on aluminium signs and installed in appropriate places. The panoramic installation Decidophobia is an approach to an artwork designed to raise counterfactual thoughts immediately within the audience, leading them to reflect on choices and decisions. The panoramic projection covers the peripheral vision and beyond. Although the visuals left a strong impression, the piece needed an acoustic complement. The multichannel audio layer requires the audience to move around, to become mobile spectators and explore an individual spatial composition based on each of their physical positions to which their attention was drawn.
