ABSTRACT
This chapter looks at how the analysed suspense techniques are employed in films which differ from the typical schemata of classical Hollywood films and which instead resemble the epic character of exhibitions. For exploring this question, this chapter turns to dramaturge Dagmar Benke’s guide Freistil [Freestyle] (2002) which is one of the rare screenwriting manuals addressing epic films. The focus of her interest is on unconventionally narrated films that combine epic and dramatic means. The chapter begins with a definition of the term epic, proceeds with characterising epic films and discusses the epic nature of exhibitions. It then explores how the suspense techniques used in popular films can be applied to unconventional films and therewith to exhibitions. All this together makes a revision of suspense necessary. Building on all findings, mild suspense will be defined as a typical effect evoked by films and exhibitions likewise. Finally, the chapter illustrates with examples from museum practice how suspense can be created in exhibitions by help of screenwriting techniques.
