ABSTRACT
Readers are offered specific suggestions of how to get the most out of the feedback process, including in-depth discussions on taking notes from a director, holding rough cut screenings, and interpreting notes from a rough cut screening. A list of tips are offered for how to get the most out of a rough cut screening, as well as how to distinguish between useful and un-useful comments. A discussion of the fundamental necessity of revision as a part of the documentary editing process shows readers how to put feedback sessions into context.
