ABSTRACT
Readers will learn a variety of useful suggestions for how to achieve the best results in the fine cutting process, including how to cut scenes down, how to remove unnecessary pauses and utterances, how to cut scenes to eliminate redundancy and improve narrative or emotional logic, and how to inspect and improve cutaways. A separate subsection includes suggestions for how to avoid the pitfalls of overcutting. A final subsection offers step-by-step advice on how to prepare materials for the color correction and sound editing and mixing processes.
