ABSTRACT
In the instrumental ālāpanā discussed in the previous chapter (and transcribed in Figure 1.6 in Chapter 1), all the essential material of Rītigaula is presented succinctly in the opening phase itself. And, as in the pallavi of Subbaraya Sastri’s kriti “Jananī ninnu vinā,” it is limited to the low and central registers.The ālāpanā opens with low-register motive https://s3-euw1-ap-pe-df-pch-content-public-p.s3.eu-west-1.amazonaws.com/9781003171225/d9b8bc16-ff68-4bef-83ba-d9fafa1647f7/content/67430016_c003_eq_0006.tif"/> (i.e., 7 • https://s3-euw1-ap-pe-df-pch-content-public-p.s3.eu-west-1.amazonaws.com/9781003171225/d9b8bc16-ff68-4bef-83ba-d9fafa1647f7/content/67430016_c003_eq_0007.tif"/> – 5 • https://s3-euw1-ap-pe-df-pch-content-public-p.s3.eu-west-1.amazonaws.com/9781003171225/d9b8bc16-ff68-4bef-83ba-d9fafa1647f7/content/67430016_c003_eq_0008.tif"/> – 7 • https://s3-euw1-ap-pe-df-pch-content-public-p.s3.eu-west-1.amazonaws.com/9781003171225/d9b8bc16-ff68-4bef-83ba-d9fafa1647f7/content/67430016_c003_eq_0009.tif"/> – 7 • https://s3-euw1-ap-pe-df-pch-content-public-p.s3.eu-west-1.amazonaws.com/9781003171225/d9b8bc16-ff68-4bef-83ba-d9fafa1647f7/content/67430016_c003_eq_0010.tif"/> –1), inwhich it concludes as well, in II.7. In II.2, https://s3-euw1-ap-pe-df-pch-content-public-p.s3.eu-west-1.amazonaws.com/9781003171225/d9b8bc16-ff68-4bef-83ba-d9fafa1647f7/content/67430016_c003_eq_0012.tif"/> is prefixed by slower and faster versions of an expanded D (3–2–1), the nuclear motive descending to the system tonic from immediately above and succeeded by a rise to arrival at 4 (ma) with motive (A)B, that is, 1–3–3–4.
