ABSTRACT
This chapter argues that the Hollywood blockbuster, Avatar (2009) directed by James Cameron, reflects various issues associated with the project of extractive capitalism and contemporary imperialism. After briefly analysing Cameron’s filmography, it proceeds to argue the strengths and weaknesses of the film in providing a critique of modern imperialism. Secondly, the theme of Freud’s totemic society and the right to life under a non-capitalist mode of production is reflected in the film. Thirdly, the film is a critique of various forms of accumulation of capital and ‘War on Terror’. Fourthly, it shows the possibility of successful anti-imperialist resistance by the colonised subjects even with technological weaknesses. Fifthly, the film shows the problem of ecological crisis. Sixthly, it problematically celebrates hero worship rather than emphasising collective resistance to imperialism. Finally, the chapter argues that the film represents the liberal American guilt in the aftermath of 9/11, Iraq war and Hurricane Katrina in the context of contemporary American politics.
