ABSTRACT
Technology, Chapter 9, and computer software challenge designers in the 21st century to explore new terrains, and to evolve into even further innovation. At the turn of the 20th century, Loïe Fuller revolutionizes dance lighting. In 1975, the Broadway show A Chorus Line uses a computerized light board. Now the biggest advances are in optics with reflectors, lenses, and light sources moving toward non-incandescent LEDs, light-emitting diodes. Reviewed are several examples of computer software, mixed media, and collaborations between contemporary choreographers and lighting designers, supporting ever-new avenues of discovery. Ms. Scott demonstrates the technological advances in Artifice, lighting under Mother Earth’s skirt between 15:52 and 17:00. Initially, she uses a conventional 3-inch Fresnel. Now, a small LED fixture provides light without becoming hot, and provides a wider range of colors. Red, green, and white create the gold under Mother Earth’s skirt. Additionally, the use of video evolves, with embedded music on the actual video.
Further Reflections are by Dr. Thomas F. DeFrantz, currently professor of Performance Studies at Northwestern University, and director of SLIPPAGE: Performance, Culture, Technology. Dr. DeFrantz concentrates on his in-depth collaboration with designers using technology. Giving examples directly, he shows the profound influence of technology on the evolution of contemporary choreography.
