ABSTRACT
This chapter begins by discussing the artist’s studio and Bronstein’s position in relation to contemporary art, history, architecture, and post-modernism as a cultural paradigm. The writer’s own relationship with their own home city is briefly discussed before a record of a conversation with the artist leads to discussion of a home on the English coast and the ways in which urban architecture compares with coastal living. The chapter ends with an evaluation of the artist’s particular way of using history.
