ABSTRACT
This chapter expands on the basic vocal recording method explored in the previous chapter. Dynamic microphones are more robust, offer an often more characterful sound, and allow the musician to perform as if on stage. Ribbon mics need careful handling and can initially appear dull-sounding, but typically offer a smoother sonic flavour. Switching to a different polar pattern (such as omnidirectional, subcardioid, supercardioid, hypercardioid, or figure-eight) is worth considering, as each will have a unique tone, and will respond differently to proximity, physical vibration, and off-axis sound. Acoustic reflections can also help enhance the recorded tone. Because many performers dislike performing with headphones, three different loudspeaker monitoring options are also described in depth, along with tactics for reducing loudspeaker spill via microphone rejection nulls, filtering, and polarity-inversion techniques.
