ABSTRACT
A participant in Suzanne Lacy’s Freeze Frame: Room for Living (1982), Regina Mouton describes her memories of the event as influencing her own recognition of herself as an artist. …It was an incredible watershed…I have come to use that word when I think of my involvement in Suzanne’s piece because it ultimately was validating for me.” Mouton’s participation in Lacy’s work brings back memories of many phases of her life and understanding art and institutions through much social change.
