ABSTRACT
Kate Harding is an artist invested in the terrain of her youth and the more-than-human in her experiences. She is also a former student of Ernesto Pujol. She describes several arcs of time as a performer in Pujol’s work, including the intersections of one performer with the next, the time that passes between performances, and the return of relationships among performers in subsequent works. She also gives some insight into the status of objects or detritus from the performances, which she keeps safely in her personal archive.
