ABSTRACT
This chapter poses a definition of Theatre of the Oppressed and examines how some of the meanings of its key concepts (oppression, participation, representation, etc.) have changed in the time that has elapsed between the 1970s and today.
This chapter poses a definition of Theatre of the Oppressed and examines how some of the meanings of its key concepts (oppression, participation, representation, etc.) have changed in the time that has elapsed between the 1970s and today.