ABSTRACT
In Chapter 5 we attempted a systematic analysis of the nature and functions of stage directions. Our findings were recorded as a tabular classification of intra-and extra-dialogic directions under six headings: the identification, and physical and vocal definition of character; formal conventions of speech; design elements; technical elements. Whereas that analysis was pitched at the level of text, we propose now to examine the implications of the directions, as a sign-system operative in parallel to the dialogue, for stage practice. We are concerned here with the current adequacy of stage directions, their status and their relevance to performance and production, rather than with issues of historical significance. Hence we shall address the functions of directions within the theatrical context, considering in turn their bearing on the work of the actor, the designer and lighting designer, and the technician, and on that of the director in her/his orchestration of the production overall.
