ABSTRACT
We opened this part of the book with a consideration of the challenge that confronts a person wishing to communicate effectively. Failure to communicate effectively can at times have dire consequences. At other times it can provide a rich source of comedy. The extract that follows is taken from an episode of the classic 1980s British television situation comedy Fawlty Towers entitled ‘Communications Problems’. One of the communication problems in the title centres on the failure of Mrs Richards’ hearing aids to operate correctly, although there is some evidence to suggest that its malfunctioning may be somewhat selective. Cast
John Cleese |
Basil Fawlty |
Prunella Scales |
Sybil Fawlty |
Andrew Sachs |
Manuel |
Connie Booth |
Polly |
Joan Sanderson |
Mrs Richards |
Ballard Berekley |
Major Gowen |
Gilly Flower |
Miss Tibbs |
Renee Roberts |
Miss Gatsby |
Scene: Interior, hotel reception area, Fawlty Towers MISS TIBBS and MISS GATSBY
[in unison] Good afternoon
MRS RICHARDS[speaking to two elderly ladies as they cross the hotel reception] First they give me a room with no view and then there’s no lavatory paper.
MISS GATSBYOh!
MISS TIBBSWould you like some of ours?
[Mrs Richards rings counter bell furiously]
MISS GATSBYWe keep an extra supply.
MISS TIBBSWould you like some of ours?
MRS RICHARDS[rings bell insistently] Hello! Girl! There’s no paper in my room. Why don’t you check these things? That’s what you’re being paid for, isn’t it?
POLLYWell we don’t put it in the rooms.
MRS RICHARDSWhat?!!
POLLYWe keep it in the lounge.
MRS RICHARDSIn the lounge!
POLLYI’ll get you some. Do you want plain ones or ones with our address on it?
MRS RICHARDSAddress on it?
POLLYHow many sheets? [look of disbelief on Mrs Richards’ face.] Well how many are you going to use?
MRS RICHARDS[rings bells furiously] Manager!
POLLYWell? Just enough for one?
MRS RICHARDSManager! Manager!
BASIL FAWLTY[emerges from the kitchen, cupping his hands to his mouth to amplify his voice] Yes. Testing. Testing.
MRS RICHARDSThere you are! I’ve never met such insolence in my life. I come down here to get some lavatory paper and she starts asking me the most insulting, personal things I’ve ever heard in my life.
POLLYI thought she wanted writing paper.
MRS RICHARDSI’m talking to you, what?
BASIL FAWLTYWhat?
MRS RICHARDSAre you deaf? I said ‘I’m talking to you’. I’ve never met such insolence in my life. She said people use it in the lounge.
BASIL FAWLTYYes, yes, she thought—
MRS RICHARDSThen she started asking me the most awful—
BASIL FAWLTYNo no no, please listen. [Mrs Richards talks over him apparently oblivious to what he is saying.] No no no please I can explain. No no she thought you wanted to write.
MRS RICHARDSWanted a fight? I’ll give her a fight all right.
BASIL FAWLTYNo no no no – wanted to write.
MRS RICHARDSWhat?!!
BASIL FAWLTYWanted to write. On the paper [makes handwriting gesture].
MRS RICHARDSWhy should I want to write on it?
BASIL FAWLTY[exasperated] I’ll have some sent up to your room immediately. Hah. [Bangs desk bell] Manuel!
MRS RICHARDSThat doesn’t work either. What were you saying then?
BASIL FAWLTY[leans forward and shouts] Turn it on [indicates hearing aid].
MRS RICHARDSWhat?
BASIL FAWLTY[leans further forward] TURN! IT! [Grabs paper and pen] TURN. IT. ON. [Holds handwritten note up to Mrs Richards.]
MRS RICHARDS[impatiently] I can’t read that. I need my glasses. [She looks through her handbag] Where are they?
BASIL FAWLTYThey’re on your head, Mrs Richards.
MRS RICHARDS[continues to look through her bag’s contents] I’ve lost them. They’re the only pair I’ve got. I can’t read a thing without them.
BASIL FAWLTYExcuse me [raises left hand in air]
MRS RICHARDSNow I had them this morning—
BASIL FAWLTYMrs Richards. Mrs Richards.
MRS RICHARDSWhen I was buying the vase. I put them on to look at it.
POLLYMrs Richards [leans towards her, raising right hand in air] Hello!
MRS RICHARDSI had them at tea time.
BASIL FAWLTY[points to her head] Mrs Richards – your glasses are there.
MRS RICHARDSThere. Well who put them in there? [Misreads Basil’s pointing finger as pointing across the hotel foyer and walks across it towards the dining room door]
BASIL FAWLTYNo no no. On your head.
MRS RICHARDSWhat?
BASIL FAWLTYON. YOUR. [Writes furiously on notepaper] ON. YOUR. Agh! [Gives up.]
What's Next?Make a list of each of the communication problems encountered by the characters in this extract. Consider how each one might be resolved.